Nikon AF-S NIKKOR 58mm f/1.4G Lens
Another optically excellent prime lens from Nikon Able to capture tack sharp images from dawn til dusk is the Nikon AF-S 58mm f1.4G lens. With a focal length slightly more magnified than what is considered ânormalâ, this lens is handy for use in a wide range of circumstances and thanks to marvelous optics, it handles all of these conditions with consistently brilliant results. For that much sought after professional look Feel equipped to produce images of the same caliber that has inspired you from other photographers, with this Nikon prime lens. The bright f1.4 max aperture is able to throw backgrounds right out of focus, which naturally leads to more stunning foregrounds, where your subjects are situated. The bokeh produced by the Nikon 58mm is soft, creamy and free from halos which gives your photographs a more professional appearance overall. Take a shot in the dark, blur free Leave the tripod at home when shooting with the Nikon 58mm f1.4G lens. A large f1.4 aperture like the one featured in this lens lets more light in and subsequently allows you to shoot with faster shutter speeds. Camera shake is much less of an issue with the Nikon 58mm as is light fall-off and corner softness - things that usually plague such fast lenses. Edge-to-edge sharpness The incredible image quality and sharpness that has been previously mentioned is due to an optimum optical construction, featuring two Aspherical lens elements and Nano crystal coating. This makeup is also responsible for the reduction of such detriments as ghosting and flare. Use this premium Nikon prime lens with freedom and confidence, as you set off to create tremendous photographs.
Another optically excellent prime lens from Nikon Able to capture tack sharp images from dawn til dusk is the Nikon AF-S 58mm f1.4G lens. With a focal length slightly more magnified than what is considered ânormalâ, this lens is handy for use in a wide range of circumstances and thanks to marvelous optics, it handles all of these conditions with consistently brilliant results. For that much sought after professional look Feel equipped to produce images of the same caliber that has inspired you from other photographers, with this Nikon prime lens. The bright f1.4 max aperture is able to throw backgrounds right out of focus, which naturally leads to more stunning foregrounds, where your subjects are situated. The bokeh produced by the Nikon 58mm is soft, creamy and free from halos which gives your photographs a more professional appearance overall. Take a shot in the dark, blur free Leave the tripod at home when shooting with the Nikon 58mm f1.4G lens. A large f1.4 aperture like the one featured in this lens lets more light in and subsequently allows you to shoot with faster shutter speeds. Camera shake is much less of an issue with the Nikon 58mm as is light fall-off and corner softness - things that usually plague such fast lenses. Edge-to-edge sharpness The incredible image quality and sharpness that has been previously mentioned is due to an optimum optical construction, featuring two Aspherical lens elements and Nano crystal coating. This makeup is also responsible for the reduction of such detriments as ghosting and flare. Use this premium Nikon prime lens with freedom and confidence, as you set off to create tremendous photographs.
Another optically excellent prime lens from Nikon Able to capture tack sharp images from dawn til dusk is the Nikon AF-S 58mm f1.4G lens. With a focal length slightly more magnified than what is considered ânormalâ, this lens is handy for use in a wide range of circumstances and thanks to marvelous optics, it handles all of these conditions with consistently brilliant results. For that much sought after professional look Feel equipped to produce images of the same caliber that has inspired you from other photographers, with this Nikon prime lens. The bright f1.4 max aperture is able to throw backgrounds right out of focus, which naturally leads to more stunning foregrounds, where your subjects are situated. The bokeh produced by the Nikon 58mm is soft, creamy and free from halos which gives your photographs a more professional appearance overall. Take a shot in the dark, blur free Leave the tripod at home when shooting with the Nikon 58mm f1.4G lens. A large f1.4 aperture like the one featured in this lens lets more light in and subsequently allows you to shoot with faster shutter speeds. Camera shake is much less of an issue with the Nikon 58mm as is light fall-off and corner softness - things that usually plague such fast lenses. Edge-to-edge sharpness The incredible image quality and sharpness that has been previously mentioned is due to an optimum optical construction, featuring two Aspherical lens elements and Nano crystal coating. This makeup is also responsible for the reduction of such detriments as ghosting and flare. Use this premium Nikon prime lens with freedom and confidence, as you set off to create tremendous photographs.
Another optically excellent prime lens from Nikon Able to capture tack sharp images from dawn til dusk is the Nikon AF-S 58mm f1.4G lens. With a focal length slightly more magnified than what is considered ânormalâ, this lens is handy for use in a wide range of circumstances and thanks to marvelous optics, it handles all of these conditions with consistently brilliant results. For that much sought after professional look Feel equipped to produce images of the same caliber that has inspired you from other photographers, with this Nikon prime lens. The bright f1.4 max aperture is able to throw backgrounds right out of focus, which naturally leads to more stunning foregrounds, where your subjects are situated. The bokeh produced by the Nikon 58mm is soft, creamy and free from halos which gives your photographs a more professional appearance overall. Take a shot in the dark, blur free Leave the tripod at home when shooting with the Nikon 58mm f1.4G lens. A large f1.4 aperture like the one featured in this lens lets more light in and subsequently allows you to shoot with faster shutter speeds. Camera shake is much less of an issue with the Nikon 58mm as is light fall-off and corner softness - things that usually plague such fast lenses. Edge-to-edge sharpness The incredible image quality and sharpness that has been previously mentioned is due to an optimum optical construction, featuring two Aspherical lens elements and Nano crystal coating. This makeup is also responsible for the reduction of such detriments as ghosting and flare. Use this premium Nikon prime lens with freedom and confidence, as you set off to create tremendous photographs.
in 6 offers
The lowest price for Nikon AF-S NIKKOR 58mm f/1.4G Lens right now is $1,979.00 at Oz Digital Online, compared across 6 retailers.
The all-time low was $1,147.78 on 15 May 2026 â today's price is 72% above the lowest ever. It has been notably cheaper before â worth setting a price alert.
Prices last updated 20 Oct 2026.
Last updated at 20/10/2026 05:27:32
Nikon AF-S Nikkor 58mm f/1.4G
Nikon AF-S 58mm f/1.4G Lens | Tristar Online
Free delivery between 26 Octâââ3 Nov
Nikon Camera Lens AF-S NIKKOR 58mm f/1.4G NIKKOR Black [Nikon F / Single Focal Length Lens]
Delivery $30.36
Nikon AF-S 58mm f/1.4G
Delivery $48
Nikon AF-S NIKKOR 58mm F/1.4G *FX Format Lens (36mm X 24mm) AFS58F1.4G
Delivery between 23â28 Oct $39.82
Nikon Af-s Nikkor 58mm F/1.4g Lens Used 1 Year Warranty Clean
Delivery $40.05
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originally posted on bhphotovideo.com
I purchased this only after spending about 3 weeks reading and reviewing posts, forums, YouTube reviews, MTF and other charts; the better known websites with comprehensive lens testing reports, evaluations from users who had purchased the lens and put it to task, etc. Safe to say I had been apprised of every good thing and every bad thing anyone had to say about it, ever (at least the past 4 years).I think a little over 60 hours of reading can be boiled down very easy. Good: it has âcharacterâ and is a great âartâ lens, even great for portraits and for those who enjoy somewhat 3D people pictures. Good for night city or street photography. It has amazing bokeh, razor sharp DOF wide-open and controls all that scientific lens/light source stuff very well ... MoreI purchased this only after spending about 3 weeks reading and reviewing posts, forums, YouTube reviews, MTF and other charts; the better known websites with comprehensive lens testing reports, evaluations from users who had purchased the lens and put it to task, etc. Safe to say I had been apprised of every good thing and every bad thing anyone had to say about it, ever (at least the past 4 years).I think a little over 60 hours of reading can be boiled down very easy. Good: it has âcharacterâ and is a great âartâ lens, even great for portraits and for those who enjoy somewhat 3D people pictures. Good for night city or street photography. It has amazing bokeh, razor sharp DOF wide-open and controls all that scientific lens/light source stuff very well (distortion-barrel, pin, aberrations-chromatic, spherical, point light, astigmatism, color fringing, field curvature, acutance, coma, flare and ghosting) and on and on. Bad: it costs way too much, isnât even as good as the nifty-fifties that cost 4-times less, is way too soft wide-open, made out of âcheap plastic,â and many people will actually ramble on about how bad the very aspects are that were purposely built in for the optical goals that deliver the ârenderingâ qualities of the lens. Moreover, the internet is replete with horrible reviews on this lens from folks who have never had it in their hands⊠and for the ones that did - never bothered to do any AF-fine tuning to correct any slight OOF issues they may have been experiencing on their particular Nikon DSLR. One of the best tips you can receive about whether you should get this lens is simply âgo to Flickr (58mm group) or Fred Miranda and look at the tons of images posted that were taken with the Nikkor 58mm f/1.4 lens - most are illustrated @ 1.4.âOkay, as for me, yes, I went ahead and made the purchase. As soon as I received the lens I went straight to night shots, low light and other difficult picture taking situations to see just how bad it really was. Furthermore, I didnât check, test or adjust AF-fine-tune. I wanted it to be out-of-the-box for initial tests. I guess I was lucky with the fine-tune, as my center focus seems to be dead on⊠I will probably still check it, just in case (first tests were on D800e). As for softness, well, I can see what some people might be talking about if you get very close to your subject (MFD) AND have your aperture at f/1.4. In all other situations the only âsoftnessâ I experience is in front of or behind the razor thin area of focus, which itself is definitely sharp, and then beautifully transitions to extreme bokeh. And, Iâll also say here what most sensible people say that own this lens, Iâm qualifying sharp as in not as sharp as the 85 or 105 1.4âs or an Otus - but otherwise relatively sharp. However, referring to the moaning about how poor IQ is from many reviewers on the net, I personally canât see what theyâre talking about, IF youâre looking in your zone of focus (within the limited DOF) and your AF-fine-tune is squared away, as it should be with any lens. If you actually stop-down with this lens, 2.0, 2.8⊠and especially to 5.6 the lens becomes very sharp - yes, very... there just isnât much to debate there unless perhaps it would behoove you to seek the expert assistance of an optometrist.Lastly, since itâs compared ad nauseum to the Sigma Art 50mm, Iâll say (yes, I had one for a short bit) that indeed, the Sigma is sharper, and thatâs about it. The Sigma is in all honestly very over rated. If you want to buy the entire line of Sigma Art lenses because âthey are just so sharpâ then I think there is nothing bad anyone can say about that, as they are indeed âsharp.â Just understand, all the reviewers that are long-time Nikon users and retort that the âreally sharpâ Sigma Art lenses have no soul and certainly have no character - are absolutely right. To many photographers I fear those thoughts and words may sound crazy. Who cares about soul or character in a lens, right? Well, as these many others have said, if you have these traits in a lens and you are photographically inclined to recognize that quality, then you will certainly see it. Otherwise, the uninitiated using their Sigmas will most likely see little more than a very sharp rectangular box when they look through their viewfinders-which, in and of itself, is okay - I suspect.Thus far, the Nikon 58mm f/1.4 has exceeded my expectations. Iâm not just a headshot photographer, I use it for âwalking aroundâ and cityscapes, landscapes and just about anything else that looks good at 58mm - which is quite a lot. Admittedly, my initial expectations may have been low in part because so much negative talk inundates the internet regarding this lens. So, I took the lens out the first time with low-hopes. Then, after seeing it shine, I took it out again and again getting more pleased as I went. Indeed, the lens is 4 years old now (since Nikon introduced it, not to me), and I think the 50mm f/1.4G is pushing something like 10 years. Certainly Nikon is going to be presenting a new Nikon 50mm E series 1.4 lens soon (maybe 2018?). For those who want a more clinical response from your lenses, I might suggest waiting for that lens. If inclined, you could just play it safe with the Sigma, which, like a new car is great⊠at first. After it wears a little, the AF components start to atrophy, you carry that weight around all day, and all the aspects of a lens that costs half what Nikon/Canon/Sony lenses cost start to show their ugly heads - you can always take the money you saved on the Sigma, and go buy a new one! :)In conclusion, the 58mm is actually phenomenal if you understand itâs not a utility-fifty you shove in your back pocket for the catch-all lens of the day when youâre tired of carrying around beast #1 & beast #2 (Nikon 24-70 f/2.8 & 70-200 f/2.8). The 58mm is a gem you want to use when you actually âthinkâ about your photography and âcomposeâ your shots. I love it. I also love 58mm, more than 50mm, but thatâs just me. The 58mm is actually a âfiftyâ you can leave on your body all day and shoot everything in site. Expensive? Heck yes. But, the thing that I donât understand about all the remarks regarding its price is that all the 1.4 high-quality lenses from the major lens companies are in this price range. And, yes⊠no matter how much hating anyone does on the lens, it IS high-quality, like it or not. If you read much on this lens, you will see these incessant comments, based primarily on ignorance, regarding the âcheap plasticâ of the lens. Seriously, hand-to-head-slap on that one. I think we have to wake up to reality and understand itâs 2017 (at the time of this writing) and âplasticsâ for one, cover a seriously diverse array of manufacturing materials. That is to say, materials that are safe, solid and have even better protection qualities compared to metal. Number two, there is the weight factor; regardless of whether or not youâre proud to carry around 3 to 5 lb. lenses, there are other considerations being contemplated and calculated when engineers develop the casings for lenses (Iâm just assuming because Iâm pretty sure lens designers and engineers know more than me, and most of you about this topic). Cutting cost and saving money? Sure, I think thatâs probably a consideration, and Iâm good with that as long as some of the savings is going into optics research, which Iâm doubtful it isnât.Iâd say get this lens if youâre âthinking about itâ and youâre a serious photographer. If youâre not a serious photographer, then seriously, donât get it.
originally posted on bhphotovideo.com
I am a full-time professional photographer who has been shooting pro for over 30 years. As you can imagine I have been through many cameras and lenses. Although I fully embrace digital equipment, its ceaseless effort towards perfection can actually lead to loss of character in my opinion. That's when a lens like this comes in. If you look at the hardcore by-the-numbers tests this lens fails. However, if you shoot with it you just might *love* it like I do. Nikon has clearly created this lens with total disregard to the technical testers, with one goal in mind: make beautiful photographs. Yes, it vignettes, yes, it distorts; but I shoot it at f/1.4 all the time and end up with stunning, artistic images that evoke a time before digital existed. In fact, when ... MoreI am a full-time professional photographer who has been shooting pro for over 30 years. As you can imagine I have been through many cameras and lenses. Although I fully embrace digital equipment, its ceaseless effort towards perfection can actually lead to loss of character in my opinion. That's when a lens like this comes in. If you look at the hardcore by-the-numbers tests this lens fails. However, if you shoot with it you just might *love* it like I do. Nikon has clearly created this lens with total disregard to the technical testers, with one goal in mind: make beautiful photographs. Yes, it vignettes, yes, it distorts; but I shoot it at f/1.4 all the time and end up with stunning, artistic images that evoke a time before digital existed. In fact, when processing in Lightroom I usually leave the Lens Corrections setting turned off! If you like to shoot wide open and strive for an artistic look you will love this lens. Happy shooting!
originally posted on lensrentals.com
Awesome, as usual! I especially loved the lens! One thing that surprised me is that I received my rental two days prior to expected. I just wish I didn't have to work those two days! Otherwise, I would have snuck in some extra shoots. LOL I don't rent often, but when I do it's Lensrentals.com!
| Focal Length | 58mm |
| Maximum Aperture | f/1.4 |
| Minimum Aperture | f/16 |
| Lens Mount | Nikon F |
| Lens Format Coverage | Full-Frame |
Nikon AF-S Nikkor 58mm f/1.4G
Nikon AF-S 58mm f/1.4G Lens | Tristar Online
Free delivery between 26 Octâââ3 Nov
Nikon Camera Lens AF-S NIKKOR 58mm f/1.4G NIKKOR Black [Nikon F / Single Focal Length Lens]
Delivery $30.36
Nikon AF-S 58mm f/1.4G
Delivery $48
Nikon AF-S NIKKOR 58mm F/1.4G *FX Format Lens (36mm X 24mm) AFS58F1.4G
Delivery between 23â28 Oct $39.82
I purchased this only after spending about 3 weeks reading and reviewing posts, forums, YouTube reviews, MTF and other charts; the better known websites with comprehensive lens testing reports, evaluations from users who had purchased the lens and put it to task, etc. Safe to say I had been apprised of every good thing and every bad thing anyone had to say about it, ever (at least the past 4 years).I think a little over 60 hours of reading can be boiled down very easy. Good: it has âcharacterâ and is a great âartâ lens, even great for portraits and for those who enjoy somewhat 3D people pictures. Good for night city or street photography. It has amazing bokeh, razor sharp DOF wide-open and controls all that scientific lens/light source stuff very well ... MoreI purchased this only after spending about 3 weeks reading and reviewing posts, forums, YouTube reviews, MTF and other charts; the better known websites with comprehensive lens testing reports, evaluations from users who had purchased the lens and put it to task, etc. Safe to say I had been apprised of every good thing and every bad thing anyone had to say about it, ever (at least the past 4 years).I think a little over 60 hours of reading can be boiled down very easy. Good: it has âcharacterâ and is a great âartâ lens, even great for portraits and for those who enjoy somewhat 3D people pictures. Good for night city or street photography. It has amazing bokeh, razor sharp DOF wide-open and controls all that scientific lens/light source stuff very well (distortion-barrel, pin, aberrations-chromatic, spherical, point light, astigmatism, color fringing, field curvature, acutance, coma, flare and ghosting) and on and on. Bad: it costs way too much, isnât even as good as the nifty-fifties that cost 4-times less, is way too soft wide-open, made out of âcheap plastic,â and many people will actually ramble on about how bad the very aspects are that were purposely built in for the optical goals that deliver the ârenderingâ qualities of the lens. Moreover, the internet is replete with horrible reviews on this lens from folks who have never had it in their hands⊠and for the ones that did - never bothered to do any AF-fine tuning to correct any slight OOF issues they may have been experiencing on their particular Nikon DSLR. One of the best tips you can receive about whether you should get this lens is simply âgo to Flickr (58mm group) or Fred Miranda and look at the tons of images posted that were taken with the Nikkor 58mm f/1.4 lens - most are illustrated @ 1.4.âOkay, as for me, yes, I went ahead and made the purchase. As soon as I received the lens I went straight to night shots, low light and other difficult picture taking situations to see just how bad it really was. Furthermore, I didnât check, test or adjust AF-fine-tune. I wanted it to be out-of-the-box for initial tests. I guess I was lucky with the fine-tune, as my center focus seems to be dead on⊠I will probably still check it, just in case (first tests were on D800e). As for softness, well, I can see what some people might be talking about if you get very close to your subject (MFD) AND have your aperture at f/1.4. In all other situations the only âsoftnessâ I experience is in front of or behind the razor thin area of focus, which itself is definitely sharp, and then beautifully transitions to extreme bokeh. And, Iâll also say here what most sensible people say that own this lens, Iâm qualifying sharp as in not as sharp as the 85 or 105 1.4âs or an Otus - but otherwise relatively sharp. However, referring to the moaning about how poor IQ is from many reviewers on the net, I personally canât see what theyâre talking about, IF youâre looking in your zone of focus (within the limited DOF) and your AF-fine-tune is squared away, as it should be with any lens. If you actually stop-down with this lens, 2.0, 2.8⊠and especially to 5.6 the lens becomes very sharp - yes, very... there just isnât much to debate there unless perhaps it would behoove you to seek the expert assistance of an optometrist.Lastly, since itâs compared ad nauseum to the Sigma Art 50mm, Iâll say (yes, I had one for a short bit) that indeed, the Sigma is sharper, and thatâs about it. The Sigma is in all honestly very over rated. If you want to buy the entire line of Sigma Art lenses because âthey are just so sharpâ then I think there is nothing bad anyone can say about that, as they are indeed âsharp.â Just understand, all the reviewers that are long-time Nikon users and retort that the âreally sharpâ Sigma Art lenses have no soul and certainly have no character - are absolutely right. To many photographers I fear those thoughts and words may sound crazy. Who cares about soul or character in a lens, right? Well, as these many others have said, if you have these traits in a lens and you are photographically inclined to recognize that quality, then you will certainly see it. Otherwise, the uninitiated using their Sigmas will most likely see little more than a very sharp rectangular box when they look through their viewfinders-which, in and of itself, is okay - I suspect.Thus far, the Nikon 58mm f/1.4 has exceeded my expectations. Iâm not just a headshot photographer, I use it for âwalking aroundâ and cityscapes, landscapes and just about anything else that looks good at 58mm - which is quite a lot. Admittedly, my initial expectations may have been low in part because so much negative talk inundates the internet regarding this lens. So, I took the lens out the first time with low-hopes. Then, after seeing it shine, I took it out again and again getting more pleased as I went. Indeed, the lens is 4 years old now (since Nikon introduced it, not to me), and I think the 50mm f/1.4G is pushing something like 10 years. Certainly Nikon is going to be presenting a new Nikon 50mm E series 1.4 lens soon (maybe 2018?). For those who want a more clinical response from your lenses, I might suggest waiting for that lens. If inclined, you could just play it safe with the Sigma, which, like a new car is great⊠at first. After it wears a little, the AF components start to atrophy, you carry that weight around all day, and all the aspects of a lens that costs half what Nikon/Canon/Sony lenses cost start to show their ugly heads - you can always take the money you saved on the Sigma, and go buy a new one! :)In conclusion, the 58mm is actually phenomenal if you understand itâs not a utility-fifty you shove in your back pocket for the catch-all lens of the day when youâre tired of carrying around beast #1 & beast #2 (Nikon 24-70 f/2.8 & 70-200 f/2.8). The 58mm is a gem you want to use when you actually âthinkâ about your photography and âcomposeâ your shots. I love it. I also love 58mm, more than 50mm, but thatâs just me. The 58mm is actually a âfiftyâ you can leave on your body all day and shoot everything in site. Expensive? Heck yes. But, the thing that I donât understand about all the remarks regarding its price is that all the 1.4 high-quality lenses from the major lens companies are in this price range. And, yes⊠no matter how much hating anyone does on the lens, it IS high-quality, like it or not. If you read much on this lens, you will see these incessant comments, based primarily on ignorance, regarding the âcheap plasticâ of the lens. Seriously, hand-to-head-slap on that one. I think we have to wake up to reality and understand itâs 2017 (at the time of this writing) and âplasticsâ for one, cover a seriously diverse array of manufacturing materials. That is to say, materials that are safe, solid and have even better protection qualities compared to metal. Number two, there is the weight factor; regardless of whether or not youâre proud to carry around 3 to 5 lb. lenses, there are other considerations being contemplated and calculated when engineers develop the casings for lenses (Iâm just assuming because Iâm pretty sure lens designers and engineers know more than me, and most of you about this topic). Cutting cost and saving money? Sure, I think thatâs probably a consideration, and Iâm good with that as long as some of the savings is going into optics research, which Iâm doubtful it isnât.Iâd say get this lens if youâre âthinking about itâ and youâre a serious photographer. If youâre not a serious photographer, then seriously, donât get it.
I am a full-time professional photographer who has been shooting pro for over 30 years. As you can imagine I have been through many cameras and lenses. Although I fully embrace digital equipment, its ceaseless effort towards perfection can actually lead to loss of character in my opinion. That's when a lens like this comes in. If you look at the hardcore by-the-numbers tests this lens fails. However, if you shoot with it you just might *love* it like I do. Nikon has clearly created this lens with total disregard to the technical testers, with one goal in mind: make beautiful photographs. Yes, it vignettes, yes, it distorts; but I shoot it at f/1.4 all the time and end up with stunning, artistic images that evoke a time before digital existed. In fact, when ... MoreI am a full-time professional photographer who has been shooting pro for over 30 years. As you can imagine I have been through many cameras and lenses. Although I fully embrace digital equipment, its ceaseless effort towards perfection can actually lead to loss of character in my opinion. That's when a lens like this comes in. If you look at the hardcore by-the-numbers tests this lens fails. However, if you shoot with it you just might *love* it like I do. Nikon has clearly created this lens with total disregard to the technical testers, with one goal in mind: make beautiful photographs. Yes, it vignettes, yes, it distorts; but I shoot it at f/1.4 all the time and end up with stunning, artistic images that evoke a time before digital existed. In fact, when processing in Lightroom I usually leave the Lens Corrections setting turned off! If you like to shoot wide open and strive for an artistic look you will love this lens. Happy shooting!
Awesome, as usual! I especially loved the lens! One thing that surprised me is that I received my rental two days prior to expected. I just wish I didn't have to work those two days! Otherwise, I would have snuck in some extra shoots. LOL I don't rent often, but when I do it's Lensrentals.com!
I read reams of reviews before buying this lens, so I was prepared for its known shortcomings. And I certainly didn't panic when my first dozen shots weren't any good. I could at least see the potential of the bokeh.I spent a great deal of time carefully calibrating the AF in my D850. A hundred shots averaged out to +19, so that wasn't a great sign, but I ventured back out and started shooting.It's entirely possible that I got a bad copy, but in 100 shots, I didn't have a single keeper. The bokeh -- it's true -- is amazing. But "soft" doesn't even cover it. The photos looked like mush, with just hints of sharpness in the center. It renders out-of-focus beautifully -- the problem is that it all looks out of focus. I was convinced that my calibration was mistaken, ... MoreI read reams of reviews before buying this lens, so I was prepared for its known shortcomings. And I certainly didn't panic when my first dozen shots weren't any good. I could at least see the potential of the bokeh.I spent a great deal of time carefully calibrating the AF in my D850. A hundred shots averaged out to +19, so that wasn't a great sign, but I ventured back out and started shooting.It's entirely possible that I got a bad copy, but in 100 shots, I didn't have a single keeper. The bokeh -- it's true -- is amazing. But "soft" doesn't even cover it. The photos looked like mush, with just hints of sharpness in the center. It renders out-of-focus beautifully -- the problem is that it all looks out of focus. I was convinced that my calibration was mistaken, so I ran the whole process again, and still came up with +19, and confirmed that lower values looked even worse.Again, maybe I got a bad copy. But all the bad reviews of this lens rang true to my experience. My 50mm Nikkor 1.4 is clearly sharper, required no calibration, and was 1/4 the price!It's such a shame, because the bokeh on this lens is outstanding. But its ridiculous lack of sharpness is a total dealbreaker, at least for me, and I'll be returning it.
Rented this for an engagement photoshoot.Other reviews I've read about this lens are spot on. Certain photos taken with this lens look amazing, and then others just look rather plain. It is definitely a portrait lens. I think this lens works best when your subject is center frame and the background is far enough away to really be out of focus.Nice lens. Really great bokeh. Interesting focal length.Thanks LensRentals for a great service!
The 58mm 1.4 AF-S has become one of the first lenses that I reach for when taking pictures of people. After digital took over I spent some years trying to replace the portrait & full length body shot functionality of the film era Nikon 60mm / 55mm macro lenses. Nikon?s much newer 60mm AF-S micro is more a true macro lens and does not cut my particular mustard for portraits. Nikon?s lenses over the last 20 years in the 50mm category have been less than stellar for my kind of use.Some people like to shoot the 58mm wide open or nearly wide open for the so called Bokeh. That?s not why I value the lens. I like to use it between f/4 and f/8 as a portrait and body length lens - both in studio with flash and occasionally outside with natural light or a little fill. Focal ... MoreThe 58mm 1.4 AF-S has become one of the first lenses that I reach for when taking pictures of people. After digital took over I spent some years trying to replace the portrait & full length body shot functionality of the film era Nikon 60mm / 55mm macro lenses. Nikon?s much newer 60mm AF-S micro is more a true macro lens and does not cut my particular mustard for portraits. Nikon?s lenses over the last 20 years in the 50mm category have been less than stellar for my kind of use.Some people like to shoot the 58mm wide open or nearly wide open for the so called Bokeh. That?s not why I value the lens. I like to use it between f/4 and f/8 as a portrait and body length lens - both in studio with flash and occasionally outside with natural light or a little fill. Focal length is the key attribute for me. I find the 58mm perspective ideal for a certain kind of image.It gets very sharp and its notable field curvature appears to flatten at the smaller stops - or at least yield to greater depth of field. The lens maintains most of its characteristics like terrific color rendition, excellent skin tones and smooth transition between adjacent tones ( both in color and B&W ) at the smaller openings. Even though it is a 4-5 year old design it mates well to recent high res sensors like the D850 and Z7.
I read so much about this lens before buying it, I was ready for the disappointment in the first few images. NONSENSE! I shot a typical close focus subject at around f/1.4 or 1.8. in my home shortly after unboxing and wow! Sharpness where I wanted it and heavenly smooth bokeh everywhere else. In a couple days I did a full frame sharpness test at f/5.6 in my studio. Boom! Tack sharp everywhere. The only time I see any softness is at f/1.4 or 1.8 when close focused. That's when I want it! Perfect. The answer? Write The Check.
This lens is magic. I already had the f/1.4 and f/1.8 versions of the Nikkor 50mm lens. This is not that kind of lens. This superb lens makes the most amazing bokeh shot nearly wide open. Also the softest transitions from sharp to un-sharp image areas I've ever seen. Then take it out and shoot it at f/5.6 or f/8. Unbelievable sharpness, gorgeous color and contrast. Look over the images at 500px or Flickr shot by this lens group. There's the magic. Get this lens, don't take it off your camera until you know how to make the magic. You'll never look at another standard lens again.
85mm is the best focal length for making subjects pop out of the picture in a 3 dimensional way. Canon's new 85mm is probably shaper but there is something magical about the way Nikon's 85 renders. The separation of in-focus and out of focus is surreal. I lvve the older version of this lens which is the Af-d. It is eery similar apart from an aspherical element. Both look give very similar results with the new lens having more accurate AF. I don't think this lens sets enough praise for it's AF accuracy. Try the Sony G 85 or Sigma 85 and you'll know how special the Nikon AF is. I shoot mine with a polarizer wide open at 1.4 for street photography and probably have about 9/10 in-focus keepers. For the streets of Phnom Penh, that is an absurd level of AF accuracy. I use ... More85mm is the best focal length for making subjects pop out of the picture in a 3 dimensional way. Canon's new 85mm is probably shaper but there is something magical about the way Nikon's 85 renders. The separation of in-focus and out of focus is surreal. I lvve the older version of this lens which is the Af-d. It is eery similar apart from an aspherical element. Both look give very similar results with the new lens having more accurate AF. I don't think this lens sets enough praise for it's AF accuracy. Try the Sony G 85 or Sigma 85 and you'll know how special the Nikon AF is. I shoot mine with a polarizer wide open at 1.4 for street photography and probably have about 9/10 in-focus keepers. For the streets of Phnom Penh, that is an absurd level of AF accuracy. I use a D700 body. If you already use Nikon and don't want to carry the newer monstrous 105mm, get the 85 and never look back. If you don't have a preferred camera system yet then the new Canon is worth a look. However, I don't think the newer lenses have the dreamy almost swirly bokeh. I haven't seen this swirly bokeh from the new 105mm but the old 105DC has this same effect. Maybe optical perfection isn't as pleasing after all. The 85 is the best combination of modern optics and vintage character
This is truly a spectacular lens! I did a ton of research before buying it and I am glad I decided to go for it! It has great color saturation, contrast and sharpness! I now have the entire 1.4g series 24mm-85mm giving me a wide range of top top notch glass to capture the shots right the first time. The other thing that I REALLY like about this lens is the weight... or lack there of! I bought the 50mm art first and returned it... it did seem a bit sharper especially at 1.4, but the images looked flat and lifeless to me compared to my other 1.4g lenses... I also thought the Sigma is way too heavy for a 50mm prime IMO. I am really happy with the results I am getting with the 58 1.4g. I am primarily a portrait photographer and really like the focal length. I donât ... MoreThis is truly a spectacular lens! I did a ton of research before buying it and I am glad I decided to go for it! It has great color saturation, contrast and sharpness! I now have the entire 1.4g series 24mm-85mm giving me a wide range of top top notch glass to capture the shots right the first time. The other thing that I REALLY like about this lens is the weight... or lack there of! I bought the 50mm art first and returned it... it did seem a bit sharper especially at 1.4, but the images looked flat and lifeless to me compared to my other 1.4g lenses... I also thought the Sigma is way too heavy for a 50mm prime IMO. I am really happy with the results I am getting with the 58 1.4g. I am primarily a portrait photographer and really like the focal length. I donât typicality use lenses at their max aperture anyways so the need for intense sharpness is not needed at 1.4. In all I would say if you want a great optic and you have the budget buy the 58 1.4g... if you can deal with manual focus another option at this focal length is the Voigtlander 58mm 1.4 Nocton... which I bought first, but turns out I really need auto focus for some clients depending if they have fast moving kids... the Voigtlander is now my back up or used for solo shoots where I have more time to focus.
| Focal Length | 58mm |
| Maximum Aperture | f/1.4 |
| Minimum Aperture | f/16 |
| Lens Mount | Nikon F |
| Lens Format Coverage | Full-Frame |