The Kodak Professional T-MAX 400 film is a versatile black-and-white film. It is ideal for shooting in challenging lighting conditions and when increased depth of field and short shutter speeds are required. The Kodak T-Grain in the emulsion provides very fine grain and high sharpness. The film captures fast motion well, making it suitable for sports events and other dynamic situations. With its high sensitivity and wide exposure latitude, this film is perfect for documentary and sports photography, as well as for shooting with available light and in applied photography. Here it is available as a roll film.
The Kodak Professional T-MAX 400 film is a versatile black-and-white film. It is ideal for shooting in challenging lighting conditions and when increased depth of field and short shutter speeds are required. The Kodak T-Grain in the emulsion provides very fine grain and high sharpness. The film captures fast motion well, making it suitable for sports events and other dynamic situations. With its high sensitivity and wide exposure latitude, this film is perfect for documentary and sports photography, as well as for shooting with available light and in applied photography. Here it is available as a roll film.
Kodak T-max 400 Black and White 120 Format Film
The Kodak Professional T-MAX 400 film is a versatile black-and-white film. It is ideal for shooting in challenging lighting conditions and when increased depth of field and short shutter speeds are required. The Kodak T-Grain in the emulsion provides very fine grain and high sharpness. The film captures fast motion well, making it suitable for sports events and other dynamic situations. With its high sensitivity and wide exposure latitude, this film is perfect for documentary and sports photography, as well as for shooting with available light and in applied photography. Here it is available as a roll film.
The Kodak Professional T-MAX 400 film is a versatile black-and-white film. It is ideal for shooting in challenging lighting conditions and when increased depth of field and short shutter speeds are required. The Kodak T-Grain in the emulsion provides very fine grain and high sharpness. The film captures fast motion well, making it suitable for sports events and other dynamic situations. With its high sensitivity and wide exposure latitude, this film is perfect for documentary and sports photography, as well as for shooting with available light and in applied photography. Here it is available as a roll film.
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The lowest price for Kodak T-max 400 Black and White 120 Format Film right now is $13.98 at Analog Space, compared across 17 retailers.
The all-time low was $13.23 on 8 Nov 2024 — today's price is 6% above the lowest ever. That's a little above the best price we've seen.
Prices last updated 12 Sept 2026.
Last updated at 12/09/2026 10:32:48
Kodak T-MAX 400 120 (medium format) black and white film (one roll)
Delivery $64.73
Kodak T-Max 400 - 120
Kodak T-MAX 400 / 400TMAX / TMY 120 (1 Roll)
Delivery between 17–26 Sept $30.84
Kodak Tmax 400 Iso 120 Film Single Roll
Kodak Tmax 400 Black & White 35MM Film 30M Bulk Roll
Kodak T-Max 400 Black and White 120 Format Film
Delivery $9.95
Kodak Professional T-Max 400 Black & White Negative Film (120 Roll Film)
Delivery between 16–24 Sept $15
Kodak Professional T-Max 400 Film 120 (Single Roll)
Delivery $9.95
Kodak Tmax 400 120mm Film Expired, sold separately
Delivery $34.45
Kodak TMAX 400 120 Film, Exp. 1994, Set of 6
Delivery $34.54
originally posted on bhphotovideo.com
This is my favorite roll film for a number of reasons. First is its resolution despite its relatively high speed-- a very sharp film. I only use a slower film when photographing in bright sun. Second is the fact that the Tmax films, in the 120 size, is on a slightly stiffer base than either the older Kodak films or any of the other manufacturers' 120 films. They are MUCH easier to load on stainless developing reels. This is my default go to film.
originally posted on bhphotovideo.com
I only recently started experimenting with T-Max 400. I hadn't previously used it because while I do appreciate the smoothness of T-Max 100, its tonal range always struck me as a little bit dull.I find that T-Max 400 is a fantastic balance of smoothness and tonal range in my experience. After getting my film back, the scans I did with my digital camera were spot on for contrast, to my taste. The grain is smooth, detectable but not in your face.
originally posted on bhphotovideo.com
So, I was on a time crunch and needed more 120 film for my trip to Pennsylvania. Made a quick stop at B&H and grabbed some Tri-X 400 and T-Max 400 to use in my Pentax 6x7. I was afraid I would not make it to my rental on time when I got inside the store and saw how packed it was. However, the buying experience was seamless and quick, very professional. Got my film, took the portraits, rushed home to develop, scan and print them. I could not believe the quality of the T-Max shot with a 75mm lens. Don’t hesitate folks, the result are as smooth as digital if developed correctly.
Kodak T-MAX 400 120 (medium format) black and white film (one roll)
Delivery $64.73
Kodak T-Max 400 - 120
Kodak T-MAX 400 / 400TMAX / TMY 120 (1 Roll)
Delivery between 17–26 Sept $30.84
Kodak Tmax 400 Iso 120 Film Single Roll
Kodak Tmax 400 Black & White 35MM Film 30M Bulk Roll
This is my favorite roll film for a number of reasons. First is its resolution despite its relatively high speed-- a very sharp film. I only use a slower film when photographing in bright sun. Second is the fact that the Tmax films, in the 120 size, is on a slightly stiffer base than either the older Kodak films or any of the other manufacturers' 120 films. They are MUCH easier to load on stainless developing reels. This is my default go to film.
I only recently started experimenting with T-Max 400. I hadn't previously used it because while I do appreciate the smoothness of T-Max 100, its tonal range always struck me as a little bit dull.I find that T-Max 400 is a fantastic balance of smoothness and tonal range in my experience. After getting my film back, the scans I did with my digital camera were spot on for contrast, to my taste. The grain is smooth, detectable but not in your face.
So, I was on a time crunch and needed more 120 film for my trip to Pennsylvania. Made a quick stop at B&H and grabbed some Tri-X 400 and T-Max 400 to use in my Pentax 6x7. I was afraid I would not make it to my rental on time when I got inside the store and saw how packed it was. However, the buying experience was seamless and quick, very professional. Got my film, took the portraits, rushed home to develop, scan and print them. I could not believe the quality of the T-Max shot with a 75mm lens. Don’t hesitate folks, the result are as smooth as digital if developed correctly.
The photograph advertising the product is of a five-roll package of this film. What I received was a single roll. As you can see, the packaging does not match the product. It is greatly deceptive. I’m very disappointed and would NEVER have bought this for that price had I even suspected it was for a single roll. Not only that, this film was expired more than two years ago!! (See attached photos.)
My first time using any of Kodak's T'Max films and the one I shoot with first was T'Max400.Many, many years ago I shot a lot of black and white and primarily used Ilford FP4 due to its fine grain at 100asa.I preferred this over faster films that came with more grain so I was very pleasantly surprised when the results came back after shooting a role of T'Max400. Very fine grain and perfect contrast (to my mind at any rate).I shot a test roll both indoors and out and under varying light conditions and used the 'sunny 16' rule for metering. All but one of my photographs came back perfectly exposed and the one that didn't was, I estimate, no more than 1 /2 stops over exposed and recoverable had I needed to in post. Not that I am some type of photographic ... MoreMy first time using any of Kodak's T'Max films and the one I shoot with first was T'Max400.Many, many years ago I shot a lot of black and white and primarily used Ilford FP4 due to its fine grain at 100asa.I preferred this over faster films that came with more grain so I was very pleasantly surprised when the results came back after shooting a role of T'Max400. Very fine grain and perfect contrast (to my mind at any rate).I shot a test roll both indoors and out and under varying light conditions and used the 'sunny 16' rule for metering. All but one of my photographs came back perfectly exposed and the one that didn't was, I estimate, no more than 1 /2 stops over exposed and recoverable had I needed to in post. Not that I am some type of photographic 'wonderchild' more that it shows the flexable, and forgiving, exposure latitude this film has.Use this film and the 'sunny 16' rule with absolute confidence. I certainly will be.My next test roll will be T'Max100. I look forward to seeing the results from this and to compare with the 400.
I love B&H but I'm not sure why they send out expired film without notifying the customer to see if its ok. One roll would be fine, but the film is only sold as a 5 pack. Not sure how quickly I can use up 5 rolls. The film was only expired by about a month but still, it's expensive and if I wanted expired film I would purposely buy expired film. I returned the first 5 pack then ordered it again a couple weeks later. The film had the same expiration date as the first order. I'm keeping it but come on B&H, you need to check the expiration date on your film!
Yes it’s pricy. Yes I have it as a treat sometimes. But it’s a really good film.I’ve categorically stated the best black and white film in the past is Ilford XP2 (either cross processed in Black and White Chems or in C41) and I stick to that statement. But this is a very good second place.The let down is the price. Which might be prohibitive to some. Mind if film shooters can spend £90+ quid on some old compact camera they could justify this.(Perhaps not one for the frugal film project people!)I tend to overexpose slightly say expose as if 320 ISO — and develop normally but that’s personal preference. Looks great in Bellini Hydrophen.Sample shot was taken with a Nikon F5 with Nikon 24-85mm f2.8 lens.
Sharp, contrasty, unlimited dynamic range, next to no grain. It drys flat and scans easily. I develop in XTOL 1:1.ISO 400 is really a suggestion, 200-800 at regular development time is fine. I generally meter (or guess because I left my meter) for the shadows shoot a 200. I rarely blow out highlights or loose shadow details. Dynamic range is incredible.I use other films when need grain, otherwise Tmax400 is loaded. I shoot 120 and 135.
TMax 400 has been one of my top films for over 10 years. It's amazing developed in Kodak Xtol, Clayton F76 and it shines in 510-Pyro developers. I love the neutral tone curve as it allows me to choose the contrast I want in post. Whether it be digitally or through filters with my enlarger. Sadly, with film becoming so popular and trendy, the supply chain issues along with inflation, the price of Kodak Pro film is beginning to be a cost issue, forcing me to look for less expensive films and save my TMax for special shoots. If you can swallow the high price, it is unmatched IMO.
Lots of cheap(er) films come up trumps when you whizz 'em off to the Wondies.This costs a fair chunk more at £16 a pop but you can see where your hard-earned's going.Check out the sharpness, tonal range, latitude that makes the church shot sing. Two or three stops' difference between the window and the big bit down the middle (nave..?).I've given it a bit more welly and tickled the contrast.That probably destroyed the look I was after with the tree, but the tree hopefully gets another chance to punch its way off the ropes on some other films the Wondies are sorting.
